David Deamer writes on cinema, culture, and philosophy, he is the author of Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images (2016); and Deleuze, Japanese Cinema and the Atom Bomb: The Spectre of Impossibility (2014).

Featured paper:
‘Polysemous futurity in the cinematics of Cloud Atlas and Nietzsche’s Beyond Good and Evil‘ (2021)